Guion: Mark Gatiss and Steven Moffat
Year: 2020
Netflix surprised the world of horror and fans of vampires after announcing that they will be reviving history’s most famous bloodsucker. It is even more surprising that they gave this task to Mark Gatiss and Steven Moffat, a duo that has overseen series such as “Sherlock” and “Doctor Who”. “Dracula” arrives as a mini-series that seeks to modernize the mythic vampire without forgetting its roots in classic literature and cinema.
It is the year 1897 and Count Dracula plans his travel to England. For this, he has the help of Jonathan Harker, who acts as a real estate agent and is not aware of the bloody plans of Dracula. However, the vampire will find some obstacles in his journey, the most important in his archenemy Van Helsing.
The mini-series “Dracula” is divided into three chapters of 90 minutes for a total of approximately four and a half hours runtime. The length of the series is optimal for fleshing out the story without causing much fatigue in the viewer.
The series is based on Bram Stoker’s novel but grants itself plenty of liberties that those looking for a faithful adaptation can resent. Some important characters from the novel, such as Jonathan Harker, Mina, and the brides make an appearance but are not the focus of it. Similarly, characters and situations are introduced that have no place in the novel, especially in the third episode when Dracula finds himself in modern times.
The respect that creators Mark Gatiss and Steven Moffat have for the classic vampire mythos, particularly the one concerning Dracula, is evident. The physical resemblance of the vampire is reminiscent of Christopher Lee when along Peter Cushing both interpreted Dracula and Dr. Van Helsing respectively at the end of the ‘60s and beginning of the ‘70s as part of the acclaimed Hammer Films production company. Claes Bang (“The Square”) gives the vampire that classic and aristocratic air that distinguishes him, emphasizing in his intelligence and presence, without putting aside his savage and blood-thirsty character.
Each episode has blood to spare, as expected, but it surprises by the number of horrific images and body horror presented. The undead, beyond the vampires, have an important place in the plot and are responsible for the horrific imagery thanks to the great makeup. The body horror scenes are unexpected but well-received, although some lose some impact by using a CGI that doesn’t look great; one of the series’ weaknesses.
Mark Gatiss and Steven Moffat have specialized in creating mini-series for streaming platforms and with “Dracula” they show that this is what runs in their blood. In this instance, they do a great balance between the classic vampire and modern cinema and television, the horror and the humor, and a respect for the classics and originality. “Dracula” is an excellent series only hindered by some awful CGI moments and an ending that could have been better and puts itself as one of the series that every horror and especially vampire fans must watch.
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