Screenplay: Corey Deshon
Year: 2019
Synopsis: Two young couples rent a luxurious house in the desert to spend a weekend. This weekend turns in the worst of their lives when tension among them escalates and worsens once they receive an unexpected visit.
With the purpose to give their relationship a fresh start after suffering an abortion, Sarah and Joseph decide to go to a remote house in the desert to spend the weekend. Sarah invites her best friend Estelle, who also invites her boyfriend, an abusive and borderline psychopath that seems to feed exclusively on cocaine. Discomfort from all of them is just a minor problem compared with what they will go through that night.
The initial scene shows how two photojournalists are kidnapped and murdered by a group of what seems to be Mexican mobsters. A little bit of attention to this scene reveals that these photojournalists have some sort of accusatory evidence about this group. A bit further down we see Sarah and Joseph, interpreted by Angela Trimbur (“The Final Girls”) and Zach Avery (“The White Crow”), respectively, arrive at the same house where the photojournalists were kidnapped, which they have rented for the weekend and we start suspecting that their efforts to work on their marriage will be interrupted.

Since Victor shows on screen, he is the stereotypical abusive asshole and he makes you hate him in record time. The rest of the characters also suffer from being too stereotypical and their personalities are just what is needed to push the story. The characters are developed fairly good and the actors do a good job, but this doesn't help in getting the characters from the stereotype zone.
The screenplay develops to main topics: a home invasion from part of a gang, which we saw in the first scene, and the dynamics between these two couples. The first topic is forgotten after this scene, and while there are signs of it in some parts, this is not brought back until late in the movie and the rest is dedicated to developing the issues between Sarah and Joseph and how this weekend is going downhill. When the home invasion topic is retaken, a few strings can be attached that put the whole story together and at the same time turns into an intense gorefest with a few creative deaths.

“Trespassers” takes a new twist on the home invasion genre and brings a story that feels fresh at the same time as it feels like something we have seen many times. The basis of the plot and the twists give it that fresh air, but the stereotypical characters and the ending leads it to that unoriginal area. In a subgenre that after the release of “The Strangers” has been saturated, it manages to put itself above the average, without being something phenomenal. The tension, twists, and gore are enough argument to enjoy this movie.
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