Screenplay: Bernardo Esquinca, Pablo Tébar, Verónica Marzá, José Rodríguez, Luis Gamboa, Gibrán Portela, Laura Sarmiento Pallarés, Daniel Sánchez Arranz, F. G. Haghenbeck
Year: 2018
“Diablero” takes place in Mexico City, when the balance between angels and demons breaks once the angels decide to abandon the humans. Now the demon hunters (“diableros”) are the ones in charge to keep the demons under control and Elvis Infante is one of them. While Father Ventura tries to locate a kidnapped girl, Keta, Elvis’ sister, directs him to his brother suspecting that something darker is behind the kidnap. Father Ventura joins the strange but efficient trio of Elvis Infante, Keta and Nancy, a young woman who has learned to control the demons that possess her, to find the kidnapped girl.
The series takes place around Elvis Infante, a charismatic demon hunter, who pays homage to Elvis Presley with his sideburns, and that, with his work in front of demons, as well as his frequent silliness manages to quickly charm the viewer. This character, interpreted by Horacio García Rojas, is the one in charge of balancing the darkness and action of the story with moments of pure comedy. Do not let this last comment make you think that “Diablero” isn’t but another comedy with some horror thrown into it. Since the get-go, it is clear that it is dark and in its eight episodes, it does not disappoint in this section. The comedy moments do not dominate, and they are artfully located so that they do not affect the dark character of the series.

In contrast with what happens in other series, I did not found episodes that are there just to enhance the number of total episodes. In “Diablero”, every episode is full of information needed for the protagonists to keep progressing the story and manage to keep the series interesting and gets the attention of the viewer throughout its full duration. The character development and their conflicts have a nice pace and there are constant discoveries about the main character, as well as the plot.

Netflix bet heavy on this latin horror, which in paper had high chances of failing, but on screen it is the whole opposite. “Diablero” brings plenty of fresh ideas and it is interesting to see them being developed in a different culture that we are used to seeing in big movies. As a matter of fact, it is the cultural part, the Mexican slang and that the story is developed in a city known for being highly Catholic, which makes it more interesting and enhances its production value. In the end, there were a few pending matters but were left on the right track to be attended in the following season, which is good news. On my part, I felt the eight episodes went flying by and I am already expecting the next season.
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